Blessed be.
Velumbound.
No one is innocent
Only at the beginning
For we were all born to see
If we could resist sinning
(C)
Copyright John Duffy
.
Blessed be.
Velumbound.
No one is innocent
Only at the beginning
For we were all born to see
If we could resist sinning
(C)
Copyright John Duffy
The Last Words of the Seeker in Sheol
(A tired voice whispers)
I think I was put under love's enchanted spell
When I first met that wondrous heart
That to me
Quietly yelled
For I've walked so many hard miles in this black sand and yellow sea
Acid rain and pale snow
As far as my tired eyes could see
Wandered to low places
Where the Good
Don't go
Seen dark shadows
Dance the Argentine Tango as fireflies glowed
But still, I stand strong
Even though my clothes and eyes are wet
Wet with those old tears,
I once cried
When you died
Walking and finding
This
The only way
Was hard and long
With just my memories of your love
To carry me
To find you
With its sweet mesmerising song
And for centuries
I searched through these wind-blown mists
And now at the threshold of all things
As a lone bell rings
I call out across these ever-changing roads
Are you there
My only goth girl
My torment and heaven at noon
The one bestowed with all the gifts
Who once made my poor soul bloom
If so
Open up the bejewelled doors
And let me into that room
Where you stand
Use your Frankincense
Herbs of blue and pure prayers
To create a sacred space in the Promised Land
To save this lovesick veteran
Of the universes
Endless spiritual wars
This I call in front of all
Will you appear
From the folds
And show me
Once again
Your beautiful face
Before I merge forever
Into this cold yellow sea
(C)
Copyright John Duffy
Velumbound
(A lone, old but confident seductive voice whispers in 2026)
Well, hello there
From my fire-lit throne room, here
Seated amongst the hail and the bright golden fireflies
With new fear mixed and burning with black blood
With Arâkîba and Râmêêl as my two witnesses
Surrounded by my four
Horsemen
Slaves on their different coloured horses
With souls crying underneath my cracked white altar
Crawling in your humanity's deep crimson mud
As they scream out for salvation into the whaling now endless night
Drowning in this new flash flood
The Harvest of the Earth is soon to begin
We’ll all emerge laughing
With seven bowls
Held out as you all scream
Just asking to feed on more
Of your worshipped kings or queens
The Wormwood Star
So bright
Will light our way
Over Shoels old Borders
Heralding us
To be the newly anointed eaters
Of all your sins
The silence in Heaven
Will be our Seventh Seal
Our earthly manifestation and
Our second reintroduction
The pagan Songs of Old Moses
About the Seven Angels
Carrying the Seven Plagues
Will once more be sung
In a new Sodom and Gomorrah
The Scarlet Woman
Her Red Dragon
And the two pagan beasts
From the East
I will send forth from Hades
Summoned to create a
Plague of locusts
As they start so many delicious
New crusades
The Seven-Sealed Scrolls
Which speak of
The Lamb Slain
When great earthquakes
Send all mountains thrown into
Boiling molten seas
As a third of the Sun and
Moon
Collide in such violence
The survivors of your world
Will watch
Star-struck in silence
There will be no judgments or rewards
No new personages, medals, or salvation
But
With a tremendous earthquake
I'll send walking up
Euphrates River
One of my old queens
Babylon
Greatest of all prostitutes
With lips painted red and
Sharp crimson nails
She’ll seduce all watchers
With wide eyes before they all die
And my Babylon of Old
Will once again rise
All seas will soon turn to blood
Vengeful and painful
Overflowing and
Filled with such beautiful political sores
People once torched by Torquemada’s fires
In those dammed inquisitions
In the Middle Ages
Shall escape from my darkness
To taste the pain
Many will soon worship
My once unspoken name
Samîazâz
And soon when I return
We will all hold hands in a new salt circle
Illuminated by a thousand old stars
To then put up
A new broken
Black and red flag
To forever sing
O’ Blessed be
So mote it be
And then you will all drown in mortal and sexual sin
O’ Blessed be
So mote it be
Asmodeus is soon to come
For we are legion
So sing to us
O’ Blessed be
(C)
Copyright John Duffy
Velumbound.
A transmission about the "sacred tree" that all lovers see represents the universal, almost mystical awakening of romantic devotion.
The "eight magical letters" explicitly spell out the phrase "I love you," acting as a binding spell that persists even after the relationship eventually "stutters" or ends.
Let us begin.
The Sacred Tree
(A lone voice whispers)
I can remember now I'm seventy-five
In this nursing home called
The Atonement
A surreal time
When I felt so alive
A pivotal moment in my life when happiness blew
Like a magical ruby red seed within golden leaves
Through my soul garden
Where nobody grows
And slowed and stopped to paint a priceless picture like a young Picasso
I thought would last forever
When we caressed
And would never die
Up high
In our now twin minds,
Midnight sky
A tapestry of two hearts beating as one
Entwined in mind
Where in time
We spoke in rhymes
But like all golden leaves once green
Sent from The Great In-Between
The gold heralds a time to grieve
So now apart
We silently cry
Me the daylight
And She
The crow
Who flies at night
With ruby red lips
Bestowed with a kiss
To sink so many ships
And in this mournful hour, in this precarious night
As I write
Before Saint Peter
Calls me home
I leave this letter to her
Infused with powerful memories of those happy days and hours
So she knows
I'll always remember the day we first met
And each willingly received
A red rose from the secret tree
All lovers see
In each other's enamoured eyes
When with eight magical letters
They bind forever
With a sweet romantic line
They utter
I love you
Before their beautiful relationship stutters
(C)
Copyright John Duffy
Blessed be.
Velumbound.
Can you remember those fear-inducing speeches?
(A lone voice whispers)
With vacant, empty stares
Like the husk above and desolate, soul-crushing goals
They who love to stand on mahogany podiums to talk and preach
Those who'd like to paint the globe in anxious red paint
Creating drum beats of suspicion
To all within their reach
And then instruct mandates that could make a sane man faint
For people to comply for their own safety
With a straight face
Pretending they aren't tainted
Corrupted or even classed as crazy
But in reality
The masses now wilfully mesmerised and gleefully enrolled
Are just restrained like prisoners in orange jumpsuits
By those they've put in control
Because of this and their devoted followers
Who through social media
Feel they can openly criticise whilst on patrol
This continuous talk of death and fear
The threat of shedding so many unfortunate tears
Makes them listen to those issuing instructions
Even More
But beyond the limitations of all that seemingly hypnotising fear
There is still hope
Hope in the divine knowledge
Of a new freedom
Once we go outside their strict walls and rigid ramblings
Breaking free from their cleverly crafted paradigms
Linked to isolation and confinement
Trying to imprison all those poor souls listening
As they read from their new Dead Sea Scrolls
We can each still create a new kingdom of our own
By keeping our faith and looking between the lies
Whilst tearing up labels and testimonies from those corrupted dark trolls
Just following hidden instructions
From the ghouls
Who are really in the know
Members of secret societies whose motto is simply
Money and greed
What they do not know is
"Radix Malorum Est Cupiditas"
A Biblical quotation in Latin
Which means
"Greed is the root of evil"
Which will be the mantra of the Devil's Men when they come
And all they'll hear when their time is called
And to the 9th Circle be driven by the hell hounds
As they are recalled
Where they'll suffer into eternity
When their pitiful souls over hot coals are hauled
Keep the faith
Better days are coming your way
Your life has never been just another commodity
That can be easily bought and sold
If you never agree
to put it up for sale
(C)
Copyright John Duffy
.
Velumbound.
Can you ever trust politicians?
Here's a cynical, politically charged transmission that explores the concept of personal liberty and individual autonomy against a backdrop of institutional manipulation.
The piece serves as a cautionary warning to the reader, urging them to develop hyper-awareness ("open your eyes real wide") to avoid being exploited by political forces.
Libertas
(A lone voice whispers)
Some say to be free
And avoid being played
By anyone or anything
Consumed and discarded like a cheap bottle of lemonade
By the charge of those drinking warm bottles of Kool-Aid
From their brown bag of tricks
You have to open your eyes real wide to see
To try to see what they plan and say in the shade
To see what they really know and places they go
To hear the true sounds of the bells they ring
And in that moment
As you watch with bright eyes aglow
To hear what songs they sing
As their record plays
You will know where their true loyalties lie
And know
If you're being played or betrayed
By those dark souls
Who hide
Like members of The Lost Crusade
Amongst the dark shadows of humanity's deadly nightshade
Called politics
(C)
Copyright John Duffy
Blessed be.
Velumbound.
If you are still here.
In my dark corner of the Web.
Where the curious are compelled to find something more than the flesh peddlers on patrol.
I give you "Lost Love."
A deeply melancholic, structured free-verse transmission that explores the long-term devastation of grief, tracking the exact timeline of a 22-year emotional aftermath.
(A lone voice whispers)
I met my first love in June
When the full Moon
Ruled the night sky
Like Zeus
And those sweet memories will always remain
Even now,
Since she's gone and I feel such pain.
The Heavens light
I know
Will shine soon again
Lighting up the Moon
As we once more are reintroduced
Like on that beautiful day
We first met in June
And even though this pain follows me
Like a ghost down every lane
In the public and spiritual domains
Offering me dark fruits
Like Hera
I still march on
Carried by the memories of walking hand in hand
In such fun
Fancy free and footloose
Down so many unforgettable side streets
And that's why
Even now,
After 22 years
Of painful mental abuse
I can't say goodbye
For as I look up into the night sky
Up high
And see a full Moon
I still cry
Inside
Asking
Oh,
Why Lord
Did my true love have to die
(C)
Copyright John Duffy
Blessed be.
Velumbound.
Here's a contemporary political transmission that captures the intense, almost religious fervour of modern American political rallies.
Written in the context of a 2024 election year, the piece functions as an objective, observational critique of populism and the powerful psychological bond between a charismatic leader and their followers.
Today's question in 2026: did he deliver?
Title.
2024
The people gathered like resilient members of a secret survivalist group
Day and night
To watch the main podium speaker
Preach to their audience and sing
While red and blue flags
Adorned with stars and stripes
Fluttered like butterfly wings
As the ignited ones
Looked to the one
Who promised to change a million and one things
(C)
Copyright John Duffy
Velumbound.
A theme many don't consider until it's too late.
People taking people for granted, thinking they'll be around forever.
Title:
Mortality
(A lone voice whispers)
My name doesn’t matter
Only one question matters
Who would you really miss
If you could only give them
One last mortal goodbye kiss, tomorrow
Which one of your family
Friends or relatives
All beloved folks in your Houses of Representatives
Would leave you wallowing in true sorrow?
For as true as the cock crows
No one is promised
Tomorrow
(C)
Copyright John Duffy
Velumbound.
One for you to carry into the night.
The Nightwalker
(A lone voice whispers)
They
Call me Ramon
The nightwalker looking for her
The one who summons me with her faint calls of
Dépêche-toi mon amour
Dépêche-toi mon amour
(Hurry up, my love)
And when I finally appear
She disappears smiling and whispers
Pas ce soir, mon amour, laisse le grand jeu continuer.
Cette poursuite passionnante est tout ce que nous avons maintenant.
Ne gâchons pas ce rêve mystique de The Great In-Between.
Que la poursuite continue.
(Not tonight, my love; let the great game continue.
This thrilling chase is all we now have.
Let's not spoil this mystical dream from The Great In-Between.
Let the chase continue.)
And then slowly glides like a vampire clad in black and gold
With long crow black hair
To where I can never go
As I lament
O, my love
My Lylak Queen
Oh, my love
A potent power of living
Breathing carnal sin
Borne from the Babylonian bloodlines
Freed once more
By the Deep Well
To entice
All in view
Who dare pine
To be put under
Your spell
When you arrive
Like a new Cleopatra
Dressed to the nines
In gold and diamonds
It's why I always wait
Like a faithful follower
Forever in the shadows
Hidden on the sidelines
For how can I win
Against such a goddess of potent sin
Elusive
So intoxicating
Seductive
I feel blessed by Pāgānus
If Pāgānus was a god
For I'd walk the two hundred miles of
The Four Pillars of Zanzibar
To see your smile
Swim in the hazardous Pele Waters
At dusk
Just for a taste
Of your sensuous hypnotic musk
For obsession is a crazy horse to ride
To dark places
Where low men scoop fire into their laps
Praying their clothes will not get burnt
As they wander
Lost
Like Bedouin Princes
In the deserts of the mind
Walking the wet shores
Of the Lylak
Looking forever
For your silhouette
Never to ask for help
Or to go back
It's why I wait
Here
In The Great In-Between
Fearful of abandonment
Since the first day
We met
For chasing a love like yours
Is like playing a crazy game with Diablo
Like Russian Roulette
Sometimes as I hear
The footsteps
Of another arrival
And when the Great Golden Trumpet blows
In that moment
I always wonder
Is that your omnipotent power
With one kiss
Is one doomed to chase
And
Cursed to crave
To never forget
To then ride to
The wet shores of the Lylak
To dark places
Where low men scoop fire into their laps
Praying their clothes will not get burnt
As their souls
Cry out in thirst
Dépêche-toi mon amour
Dépêche-toi mon amour
Hurry up, my love
(C)
Copyright John Duffy