Documenting The Great In-Between: Art from the Astral Realms
A new concept in design for the upcoming website.
For as long as I can remember, the act of falling asleep hasn't been a descent into unconsciousness.
It is a crossing.
Every single night, I wake up inside my dreams with full lucidity, stepping directly into an expansive, alternate plane of existence.
What I have come to call The Great In-Between.
Historically, the biggest frustration of a lucid dreamer is the return.
You witness impossible architecture, feel physics that don't exist waking up, and look into the eyes of entities that possess terrifying conviction.
Yet, when you wake, those vivid astral landscapes begin to evaporate, leaving behind only fragmented words in a journal that fail to capture the raw, visceral reality of what was actually there.
Until now.
This new direction in this blog is a field guide to those realms.
By combining detailed, immediate notes taken upon waking with advanced generative intelligence, I am finally able to act as a cartographer for the astral plane.
A painter of the most striking moments I see.
The AI does not invent these scenes; it acts as the camera lens, developing the raw film I bring back from the dark.
Mapping the Coordinates
The architecture and inhabitants of the Great In-Between do not follow a single narrative.
They shift between high-stakes urban anomalies and primal, ancient survival.
To give you a glimpse of the horizons I am charting, look at the first two field logs brought back to the waking world:
• The Urban Astral:
A high-altitude, first-person perspective of flying as an interloper over a sprawling, neon-drenched metropolis.
Below, an angry crowd shouts with raised arms, while a man with black hair and a thick moustache clings desperately to my ankle, his eyes ablaze with terrifying conviction.
The dream story arc.
I appeared in a place. Sprawling with people who sensed I didn't belong.
A crazy crowd gathered to catch me.
But in the Astral Realms, I can fly, so I flew above the crowd.
They grew more agitated.
I felt safe doing this until this strange man appeared who could jump so high.
After several attempts, he grabbed my ankle and wouldn't let go. The crowd roared.
His eyes were blazing with such anger. He seemed proud to have caught the interloper.
I smiled at him and ended the dream.
He probably fell as I vanished.
• The Sylvan Astral:
A low-to-the-ground, silent survival sequence set in a midnight countryside wood.
Under the stark light of a full moon slicing through dead trees, a distorted, four-legged hog-wolf hybrid stalks through tall, yellow grass near a line of broken fences.
The dream story arc.
I appeared in a dark wood and had the inclination to repair a fence.
As I was replacing a fence panel, I put down my 5-foot steel bar.
Picked up a strange-looking fence panel with a grounding spike at the bottom.
As I started to pick it up, I heard a rustling sound.
Briefly saw this strange beast as it move with supernatural speed.
I immediately shouted as it charged at me.
It veered off and hid in the yellow grass.
I felt like a bigger one was coming.
Coming to see who was in their hunting territory.
So I quickly ended the dream.
The Methodology of Astral Photography
Every piece of art featured in this new direction on this blog follows a strict rule of authenticity to the dream state:
1. First-Person Grounding:
Wherever possible, the perspective mimics the exact viewpoint of my dream avatar, capturing the disorientation and scale of the realm.
2. Mundane Textures in Impossible Spaces:
Rather than generic fantasy tropes, the focus is on the strange juxtaposition of the ordinary.
Like wearing blue jeans and a white t-shirt while defying gravity.
Which defines true dream logic.
3. Atmospheric Frequency:
Prioritising the heavy, specific "vibe" of the space.
The precise shade of pink neon or the exact quality of moonlight—over artificial perfection.
This space is an open archive.
A gallery of places that exist only when the eyes are closed, documented by someone who goes there wide awake.
Welcome to the Great In-Between. Let’s see what the next night brings.
(C)
Copyright John Duffy


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