. Poetry from The Great In-Between: Death by a thousand cuts

Saturday, October 17, 2026

Death by a thousand cuts

 


Blessed be. 

Velumbound. 


This transmission is a visceral, dark romantic exploration of love viewed not as a gentle romance, but as a destructive, chaotic, and ultimately essential cosmic force. 


The speaker contrasts the agony of emotional vulnerability with the hollow alternative of a safe, passionless existence.


The transmission rejects conventional, idealised views of romance.


Instead, it frames love as an agonising form of martyrdom.


It compares love to Língchí (the ancient Chinese method of execution by a thousand cuts) and the brutal impalements of Vlad the Impaler. 


The "crimson landscape of bleeding emotions" emphasises that loving someone requires total, painful vulnerability.


True desire is described as a "juggernaut" that systematically dismantles "our inner towers of morality and sense of worth." 


It brings biblical-scale destruction to a person's inner stability, drawing comparisons to Sodom and Gomorrah.


It uses a heavy saturation of historical, mythological, and religious imagery to elevate the stakes of human romance to an epic, universal scale:


The Chimaera and Pandora: 


These Greek mythological references paint love and desire as beautiful illusions that harbour chaos and destruction, yet remain irresistible to the human soul.


The Basilisk: 


In folklore, the Basilisk is a mythical reptile that kills with a single glance. 


In the transmission, love acts like this creature. 


It "swallows us whole," demanding absolute surrender.


The Archdeacon: 


The introduction of a religious congregation praying at the "boundary edge" suggests that passion is a religion in itself, complete with its own nightly rituals and devotionals.


The transmission thrives on a stark paradox: love is lethal, yet it is the only thing that makes life worth living.


The Ultimate Rush:


Despite the "blood-stained crosses," the speaker notes that this chaos is the "ultimate rush for any soul." 


Earth is framed as a playground designed precisely for these mind-blowing "vices and crushes."


The Alternative (The "Cold Kiss"): 


The ending shifts to a chilling reflection on death. 


The speaker warns that missing out on the devastating intensity of love is the ultimate tragedy. 


When life ends, and you receive death's "cold kiss," the only thing you will truly regret missing is that consuming, "exotic perfume" of passion.


(A lone voice whispers) 


In my endless quests

Of Argentine Tango's


Until my inevitable death


Love to me

Was like a Língchí


A slow death of a thousand cuts 


A crimson landscape

Of bleeding emotions


With 

What Ifs and Buts


Crucified like Vlad the Impaler's foes 


On blood-stained crosses 

Of 

Who Knows


For true Desire is a fire

Of such imaginable power


It pulls down

Our inner towers, 


Of morality and sense of worth


Like a juggernaut

From Sodom and Gomorrah


But as Ancient Books 

Say


Living with that chimaera


That Pandora

Is the ultimate rush


For any soul


And Earth is the ultimate

Playground


Awashed with

Vices and crushes


Of all known

And unknown kinds


To blow anyone's mind


It's why in here

To our Arch Deacon


We all gather here


At the boundary edge

To pray nightly


To be returned

One day


To that strange but so exotic perfume


To once more

Stand naked


In any room


As love in any form

Swallows us

Whole


Like the mighty Basilisk


For that my dearest

Reader 


Is the only form of

Living you'll ever miss


When you're too close

Your eyes forever 


Like me

And countless others


And awake 

On the other side


Of living 

Cold kiss


(C)

Copyright John Duffy



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